There are many tight frames where the characters find themselves in difficult situations, as they cannot be aware of what they do and what was black and white (right or wrong) The use of tight framing is a smart idea as it makes the audience link with the stress in which the film’s characters feel making the movie relatable Even as Good Night, and Good Luck portrays a bare contradiction for the position of McCarthy in creating a fearful climate, the film’s focus simplifies the complex personnel and era involved Through similar ways, the film delivers limits for the American history account through an entirely different perspective for the respective journalists (Clooney & Heslov 68) Unlike other films of the time, Good Night, and Good Luck is both limited for its level of perspective and its locale without the single exterior shot Its set is restricted in New York City for the CBS studios
Received on Sun Dec 13 2020 - 15:29:41 CET